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Lamia Makaddam kan niet om haar sentiment heen
The book is a narrative of becoming in the wartime petroleum landscape of southern Louisiana
De spronglaag schittert en vloekt als glas in lood waar bliksem en zonlicht door naar binnen schijnen
een bloederige rotzooi van popcultuur
What your / kin says is power
Postcards from the Underworld Het Voorland Lamia Makaddam kan niet omSinan Antoon To confront time, pre modern Arabic poems often began with the poet standing before the ruins, real and imagined, of a beloveds home. In Postcards from the Underworld, Sinan Antoon works in that tradition, observing the detritus of his home city, Baghdad, where he survived two warsthe Iran Iraq War of 1980 and the First Gulf War of 1991and which, after he left, he watched from afar being attacked during the US invasion in 2003. Antoons
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